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Questão FC700295

Leia o texto para responder à questão Building on the professional consensus that no method could claim supremacy, Prabhu (1990) asks why there is no best method. He suggests that

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VUNESP · 2024

Leia o texto para responder à questão

 

Building on the professional consensus that no method could claim supremacy, Prabhu (1990) asks why there is no best method. He suggests that there are three possible explanations: (1) different methods are best for different teaching / learning circumstances; (2) all methods have some truth or validity; and (3) the whole notion of what is a good or a bad method is irrelevant. Prabhu argues for the third possibility and concludes that we need to rethink what is “best” such that classroom teachers and applied linguists can develop shared pedagogical perceptions of what real-world classroom teaching is.

 

H.D. Brown (2002), in his critique of methods, adds the following two observations: (1) so-called designer methods seem distinctive at the initial stage of learning but soon come to look like any other learner centered approach; and (2) it has proven impossible to empirically (i.e., quantitatively) demonstrate the superiority of one method over another. Brown (2002) concludes that classroom teachers do best when they ground their pedagogy in “well-established principles of language teaching and learning” (p.17).

 

So what are these well-established principles that teachers should apply in the post methods era? One of the early concrete proposals comes from Kamaravadivelu (1994), who offers a framework consisting of 10 macro strategies, some of which are summarized below:

 

– Maximize learning opportunities. The teacher’s job is not to transmit knowledge but to create and manage as many learning opportunities as possible.

 

– Facilitate negotiated interaction. Learners should initiate classroom talk (not just respond to the teacher’s prompts) by asking for clarification, by confirming, by reacting, and so on, as part of teacher-student and student-student interaction.

 

– Activate intuitive heuristics. Teachers should provide enough data for learners to infer underlying grammatical rules, since it is impossible to explicitly teach all rules of the L2.

 

– Integrate language skills. The separation of listening, reading, speaking, and writing is artificial. As in the real-world, learners should integrate skills: conversation (listening and speaking), note-taking (listening and writing), self-study (reading and writing), and so on.

 

– Raise cultural consciousness. Teachers should allow learners to become sources of cultural information so that knowledge about the culture of the L2 and of other cultures (especially those represented by the students) becomes part of classroom communication.

 

– Ensure social relevance: acknowledge that language learning has social, political, economic, and educational dimensions that shape the motivation to learn the L2, determine the uses to which the L2 will be put, and define the skills and proficiency level needed in the L2.

(Celce-Murcia, M. 2001. Adaptado)

 

Aiming at raising cultural consciousness (Kamaravadivelu (1994)), and grounded in aspects of the BNCC (Brasil, 2017), a teacher willing to have students work on cultural aspects will propose the following project:

  1. brainstorming possibilities to present cultural aspects of a celebration to the other students.
  2. finding out about the possibilities of using technology to bring modern art aspects to the classroom.
  3. researching the different aspects of popular culture and finding examples in your own culture.
  4. creating a flyer with information on the presentations of cultural varieties in the class.
  5. producing a class magazine with brief cultural tips about differing English speaking countries.
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Produção de uma revista de classe com dicas culturais sobre países de língua inglesa coloca os alunos como fontes de conhecimento cultural, atendendo diretamente à proposta de raising cultural consciousness de Kamaravadivelu.

O projeto favorece a pesquisa e a apresentação de aspectos culturais variados, promovendo o reconhecimento e o respeito pela diversidade, conforme diretrizes da BNCC que valorizam repertório cultural e formação cidadã.

Ao elaborar textos, entrevistas e ilustrações, os estudantes exercitam a integração de habilidades (leitura, escrita, fala e escuta), colaboram entre si e negociam significados em atividades autênticas.

Como produto final, a revista possibilita avaliação formativa, responsabilização por funções editoriais e feedback entre pares, potencializando autonomia e consciência crítica sobre o uso social da língua.

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